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It was a miserable machine, an inefficient machine, she thought, the human apparatus for painting or for feeling; it always broke down at the critical...more

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How many times have people used a pen or paintbrush because they couldn’t pull the trigger?

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Why should a real chair be better than an imaginary elephant?

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Freedom and fullness of expression are of the essence of the art.

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Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their creative force, which has, indeed, so o...more

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What has seven editions (the book had already gone into no less) got to do with the value of it? Was not writing poetry a secret transaction, a voice ...more

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I spent an hour looking at pots and carpets in the museums the other day, until the desire to describe them became like the desire for the lusts of th...more

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One wanted, she thought, dipping her brush deliberately, to be on a level with ordinary experience, to feel simply that's a chair, that's a table, and...more

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And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music...more

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She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned a...more

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In the flailing light they all looked sharp-edged and ethereal and divided by great distances